![]() These works, among many others, are instructive but the magnitude of the Holocaust eludes them. Jean-Paul Sartre has examined the allure of power in Nazi Germany. Israeli playwright Joshua Sobel has often concentrated on the possibility of individual triumph despite the inevitable doom of the Jewish ghettos. Playwrights over the years have tried with varying degrees of success to explain the unexplainable by representing facets of the Holocaust onstage. The unblinking eye of a camera seems best suited to capturing the devastation without cheapening, trivializing, or sentimentalizing it. If Shakespeare doubted his ability to let a simple stage represent the fields of battle at Agincourt in Henry V, how can a contemporary playwright hope to adequately represent in a few short hours the unspeakable terrors of the killing fields of Europe?ĭocumentary filmmakers like Alain Resnais (Nuit et brouillard) and Claude Lanzmann (Shoah) have been the most effective at communicating the ravages of Nazi Germany–and in a medium that usually functions as entertainment. Fifty years after the liberation of the Nazi death camps, the sheer enormity of the horror inflicted upon millions confounds translation to the screen or stage. ![]() Best of Chicago 2022: Sports & Recreationĭespite the commercial success of Schindler’s List, the question remains whether the Holocaust can be fairly and effectively dramatized.Best of Chicago 2022: Music & Nightlife. ![]()
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